I bought a cheap Samson mic and it's design is such that it high-passes most of the bass anyway. Much better than the other brands.
I actually think now most of the vocal bandwidth is coming from gorilla gripping the damn mic itself. If I grab a mic and squeeze TIGHT and record nothing, I get a resonant frequency (essentially my own vibrational frequency, which is around 11Hz and continues well past the nyquist. This is an early test so I don't know right now whats coming from this resonance and what is coming from my voice. The fact that my microphone is hot because of the pre-amps' mismatched transformer voltage due to capacitance between the windings is probably the reason the mic can pick up the vibrations from my hand into the mic chassis at all.
In other news, one must sing using their back muscles and not so much the abdominal muscles. I think this was the big mistake I kept making that I've been looking for and to correct for years because emulating other singers does not work very well doing it this way. In other words, your own voice comes out even if you try to copy someone else. Of course this will result in massive improvements to tone and pitch.
BTW, we already have flux capacitors. They are called magnets. They just NEVER discharge though, unlike "condensers." The term flux capacitor is a joke that I don't think everybody got when they saw This Island Earth. One wouldn't need to store flux because it can be tapped in massive quantities already naturally without any help from electronics technology.