Found out something about my voice which explains an awful lot. My singing sounds like shit under one condition that I know how to avoid from now on. I don't wanna say too much, but my voice is capable of doing something no one else can do. My false folds overlap my real folds and there is horizontal space where the false folds are wider than the real ones for the overlap and controlling this along with the air gap between the two sets vertically means I can bias the harmonics to my voice and add frequencies that do weird shit to the signal that is generated in this additional space.
I also have to be more aware of resetting my larynx. I had to do this again last night and it has probably been a long while since it needed it. There are tendons that wrap around the parts of the larynx and long story short there are ways to change the shape of the cartilage and other things that if things get out of balance and really it's fucked up will make you sound awful. This is something I do not think most singers even know and no one does anything about it. The old myth about singing for such a time as to damage the voice is related as well as singer's getting fatigued by putting air in a part of the voice that has literally moved from where it was and they are stressing out a part that is not used to the violence and relying on the secondary vibration to work where they are used to.
I'm still working out the schematic and trying to put into words how to bias the vocal with back EMF, negative resistance and how to use hysteresis and the avalanche condition to good effect. If singer's would study Diodes, specifically Thyristors they would understand so much more about how it functions.