Zad wrote:
heatseeker wrote:
Cynical bastards

. But seriously, if you don't like the movie then whatever, but at least give good reasons. "Minimalize" doesn't make any sense whatsoever in that context, and also, how can you criticize the film for presenting racist stereotypes when that was the whole point?
What noodles said makes more sense, but I think the racism in the movie is more realistic than what you guys are saying. Yeah, a lot of it is based off of stereotypes, but what is racism if not stereotypes? I just don't think it's reasonable to criticize Crash when it handles racism a shitload better than other movies (like Babel, which tried to copy Crash but basically sucked)...I mean, name a movie that did it better.
I didn't like it because it was all about messing with your emotions. "Oh noes, she's buying a gun!" "Oh noes, he's going to shoot the dad!" "Oh noes, the daughter jumped in front!" BUT IT'S ALRIGHT BECAUSE SHE BOUGHT BLANKS OH PHEW. Even without the racism it was a rubbish film, no drama needs to be that heavy handed. OH NOES THE BLACK MAN HAS "HAD ENOUGH" AND IS GOING TO BE SHOT! Go away, real life's much more brutal and much less miraculous. It was a rich twat's idea of what life for others is like.
At least Babel didn't punch it into your face all the time. Ok, naked deaf Japanese schoolgirls aside, there was more realism in Brad Pitt trying to find assistance for his shot wife than in the whole of Crash! And how perfectly they summed their relationship up in a single scene! Fine, it hasn't made me want to trust Mexicans with children but it's by far the superior film...
edited for language.
I dunno. I can understand why someone would criticize Crash for being too forceful with the racism, with the way the characters just say things that they would most likely just be thinking. Besides that, though, I personally think it does a really good job...if you can take the characters actions in the movie as metaphors for what people would simply be thinking in the real world, I think the racism becomes more realistic. The storyline itself is great, in my opinion...I think it's foolish to say that it's unrealistic how the characters all meet each other by coincidence, since that's pretty much the point.
On the other hand, Babel is one of the worst movies I've ever seen. Any validity the racial aspect of the film had is irrelevant because the storyline was so terrible...seriously, none of the separate stories went anywhere and the way they were supposedly connected was even more ridiculous than Crash's characters all meeting each other. Ugh, don't get me started...