Metal Reviews

An all-time favorite that is seldom played any longer, but no less, still very much valued. The music represented here, is so timeless, that it could be played several times over, without losing any of its credibilities.

Lovely.

Working on these late afternoon/early evening.

I have read solely positive things about this recording. I shall be listening, perhaps, not with excitement, but certainly with enthusiasm and a great eagerness.

Just by the cover, and the lineup, I knew this recording will be extraordinary, but also by the era in which it was played and recorded. It is my first time hearing it.

Just about 20 minutes left of this


My first time hearing this rather heartfelt recording. Mr. Haden's passing quite a few years and his many health troubles did not keep him away from the creation of music, music that belongs to a modernistic developing canon of Western music. This recording is an album of a very personal nature, but I do like it very much, and I have taken quite a liking to it. Not something for every day listening, but certainly an album which can be played once in a while.

They look like prom boys here, but they'd bang you in, and sweep you up and dump you in the bin.

Yes, the cover looks like a graffiti depiction, but the music inside, I assure you, is even more vastly different.

Shall be hearing a late 2024 album, by Mr. Metheny, sometime in the late afternoon.

An entirely new recording for me, from 2022, of Mr. Lloyd's spiritualist period, as we speak about him today. I like it, but it is certainly much more closer, well, let's say, all too close, to Eastern sensibilities, in as much as the music is concerned, with little, to no 'jazz' at all. Still, likeable, I must say. Well done, Mr. Charles Lloyd. The heights Covid-19, when this music was materialized.

An outstanding recording that keeps on giving.

A memorable recording from my listening regiment from just about two months ago. Great to return, to this rare jazz Trio.

Will start the day with a great deal of energy.