Adveser wrote:
Oh yeah, there is an absurd amount of allegory. Seeing through the facade is the hardest part. Once one becomes very familiar with the concepts these kind of things are extremely evident. That is the basis for writing esoterically. You're writing on one level for one audience and writing on another for another audience.
Just take the cloud lyrics: one with an intimate visualization of fractals and other spatial dimensions would literally see the part of the cloud that is not visually evident because he can draw the missing fragments based on the other formations of clouds and the effect the invisible area has.
However, I saw a movie called "Slipstream" written by A. Hopkins who is apparently oblivious to and completely cynical about the concepts presented in the film. Personally I don't think it matters if the author is aware of their own symbolism or the meaning that is obvious to anyone studied in the area they wrote in. I know I have written lyrics that wouldn't make sense to me until later. I have literally gone back in time and given myself the lyrics and literally perceived lyrics and songs that I know I was giving myself from the future. Whenever I come back to them the second time, ruffling through papers or whatnot. I always go to the same place and realize what I'm doing. Interesting.
Yes. The unconscious speaks very mysteriously. Esotericism has always been a major interest of mine. I forget which movement it was but I believe it was during the Romantic period that poets were sort of "free-writing" and wrote anything and everything that came to their mind; artistic creativity from the unconscious. You should also try to find a documentary called "colours of infinity" concerning fractal geometry (if you haven't seen it).