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This post has two parts, the first part explains exactly why the second part of the post exists . The first part goes back to a theory based on first hand experience of to solve the persistant mystery of austic individuals and their difficulty with spoken language. I made some attempts to explain my situation to get in touch with anyone that wanted to at least hear it out and this was met with about the same sense of interest and intrigue as the car that has no battery and refused to start. The second part deals with what exactly I have done about it, not recently, but when I was two or three and "all of a sudden" with no foreshadowing began speaking. I fought that battle once and won by the sheer insistence that if everyone else had the same stuff and could talk I would figure it out too. When I was six I was essentially made to feel guilty and ashamed of the fact I talked in falsetto. I figured out how the cartoons talked. I could tell I wouldn't be able to do what the bigger people did and did not differentiate tone from letters. Yes, that is the problem and solution and should explain why I insist on copying someone elses voice verbatim with zero compensation for my own sake. I am determined to win it again but the impact could be as drastic for the better for everyone. I have this problem beat and not unlike Einstein and his fruitless obsession with physics in his early years with his crazy ideas , much like a nine octave vocal range would be dismissed as impossible before any evidence could be given and when that fails find another definition that does not meet the claim.
This might be a long read, but this is serious and is part of my attempt to benefit a growing segment of the population that is currently misunderstood when it could easily be treated because others of the same mindset can flat out tell them why the way they feel promotes the impairment. Actually people with autism that would have any experience with exactly why they could not or would not be able to communicate orally would more than likely not have the facilities to do so. It would take someone who reads everything they can find on the subject of voice from an objective "non-advice" perspective and similarly rejects any attempts to be directed, coached or steered into a corner of limitations. He aims to never be put in the position ever again of compromising and seeing others so easily have an advantage in communication and at that the only means of communication he finds to be the only connection to sharing emotion at the expense of their health (taking/doing anything that improves coordination), career (if it interferes, presents any risk, no matter how benign to such endevours, ect.), relationships (the guy that wrote that guitar melody shares my emotions by direct transmission which at the very least implies they understand and feel it too, family has no such facilitiues to express such emotion in any way and never will so they become "alien-like" dictators that show no concern for things would be deemed equalivalent to the afflicted's very humanity) and having any chance of with an incredible mem0
I understand there are at least a couple of people other than myself who consider themselves singers of some type or another. You can take this lightly or treat it like a revelation. One way or another things are going to change just like when guitars all of a sudden became electric and new sounds and forms of expression came forth. I think it is going to be a new level for all involved. In any event there is something to be taken from this and the evidence suggests there is need for improvement on the level that "rarely exceptional" would be considered "mediocre" by new standards. I firmly believe everything in my life has lead to this due to over a dozen "coincidences" I would guess unique to me putting me in the position to think and act in a manner that others would not even consider in this regard. It takes a hard headed bastard to continue to do something when nearly everyone that sees it thinks they do not possess even the slightest fundamental idea of what they are doing. That is okay. I'm patient and knew it would fall into place because I demanded it. To be blunt when I hear a singer I notice immediately and have to emulate what they are doing that is unnatural, wrong and based on hundreds of years of flat out bad misformed idiocy that is apparently based on dogma and not actualityh in order to find out what they are actually doing right by defiantly doing some aspect the way they see fit and piecing it all together. I'm a highly functioning autistic and this has been known around here if you have been paying attantion. You probably could have guessed based on my penchant for that probably qualifies as a savant due to having a nine octave vocal range when a lot can not speak at all.
And on my birthday yesterday the day I have waited for since basically forever is when it all came together! On Friday the fourth I had noticed I was in one of my runs of things being too good to be true. LIke I had everything figured out and naturally was in hurry to record because not knowing exactly and in simple terms how it was being done, this tends to wane overnight it seems with very tiny pieces of information being retained with a net result of close to zero. The effortless and ultra precise stuff I always brag about as being something of a precognition that never seems to make it tape was being recorded and about halfway through yesterday (by day I mean 6 hours into a 10 hour full voice full range vocal workout, so 16 hours in less than 36 hours. I like those for their transcendent quality and muscle memory building and to perform the necessary "mutilation" of the palletes so one could eliminate the physical impossibility of a tonal options. More space is better IMO.
May 05 of 2012 is the day I have completed forumulation of my vocal system. I will be preparing an informal "scientific" paper of it in the format of a "patented electronics device" would use to explain exactly why the principles work and to "prove" the ability of a configuration with known equivalents with the same functions being utilized for the same purpose in electron and diode "powered" devices rather than organic chemistry components. I am basically going to list what the functions of the organs responsible for musical production, that is, repeatable, predictable speech, you know the things that could make an instrumental timbre of highly accurate pitch with accompanying musical overtones (with a fucking twist!) with high gain (you only need to buy a PA if your friend insists on the triple rec, the double wont be too loud, Yes, I have done this accidently because I forgot the switch on the mic handle. Actually that isn't true, he did have triple rec, but I wouldn't expect an airplane jet's SPL acoustically for a few years, no, that one wasn't a joke) It will explain various configurations that are possible. There's always strength and weaknesses to styles. but unfortunately everyone doesn't know the correct function of making them work together. I have figured out how to apply all the vocal components and with "weighting" them by isolating one and practicing it in complete disregard to the sound. It's doing ten times the work that it will do eventually so everything is effortless and I mean that. I have discovered a way to make the human body superconductive to producing massively complex and signals with extremely high amplitude. If you've heard of a singer's formant, imagine that, but as loud as a marshall stack acoustically and the bass cabinet and the cymbals are going to fight for space to actually propograte sound waves. As an electronics engineer, self-producer and vocalist I am in somewhat of a unique position to unite the human vocal components into a schematic. My design is a lot different and as everyone has heard does not fit compatible with "classical" techniques unless fully working. Exactly like an amplifier that has the wrong value of components, it will either produce no voltage gains or massive distortion that some of us are greatly ashamed of and others are greatly annoyed by espcially with an abundance of bravado and hubris thrown in for good measure with the "fool's gold." It takes effortless and simple precision which is the exact opposite of loud and complex when regards to cause and effect.
I have a fully working "model" (me) that simply has to be inventoried and made into a schematic. The beauty is the absolute simplicity of the method and the rock solid electronics theory and operational parallels , which is why I couldn't just "know" what to do. My nature is not to oversimplify but to overcomplicate so everything was considered the "problem" and everything was adjusted to get results that were already demonstrated to me. Trial and error was the only way I figured it out.
In a nutshell, We have three sets of vocal chords in our body that all need to be used. Some parts are used totally incorrectly, like the voicebox which everyone seems to be recovering from injury except for that guy that sings for three days straight and chain smokes doing it. He beats the shit out of his soft pallete which is pretty indestructable to air pressure since it is built to directly control said air pressure. Then there is the diaphragm. I can currently match the world's lowest sung note of 8hz (C[-1]) effortlessly. It is not as fun as it sounds having an earthquake coming from the center of your body. Yes, the vocal folds are involed in no way in the production of bass frequencies. The diaphragm produces pressure and like all muscles tends to vibrate when tense and it causes the cartilage in the voicebox to vibrate in sympathy. I have an extremely simple way of remembering my technique now. developing it is hard, but once done it is effortless. I was going to make a list of advantages, but all you need to know is it is louder, clearer, more powerful, unlimited endurance, complete tonal freedom and lest it not be mentioned, ultra low and ultra high frequencies are in ample abundance, do not have to be "minded" or controlled and this effect has a drastic impact on an audience. The bottom line is it is extremely easy to execute once you build up the parts and have to execute it. NO more shit singing at a concert anymore! I seriously souldn't imagine someone singing offkey or poorly this way because there are going to be because it was built to work that way, but somehow people got the idea their layrinx was the instrument and the other things made it play.
NOw if you have been paying attention, how does this fit in with the first item. It is simple, when I was a child and wanted to speak I absolutely did not want air to make contact with my vocal folds at all if I could help it. Obviously, if all of them are open and freely being vibrated this is the opposite of violent resistance. I find vocal folds making their presense felt at all to be extremely uncomfortable because it's contents were not desgned to be operated partially So I used the false folds so the top ones would never make contact until I learned the elusive virtuoso technique of controlling the vocal opening to the layrnx which is akin to the frets on a guitar. Now if some can't control that how could they play a guitar? they are there for a reason and they are there to be used. It is the opposite of what you think. This stuff will make a lot more sense when everything is included, examples cited, the electronics equivalent explained, ect.
I can guarantee unlimited range, unlimited endurance and and extreme ease.
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I love the Queen.
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