derncare wrote:
I agree that it's less bands than alot of people claim because many people call any change selling out. Not every change in personality is a sell out. What's funny is that when a band never changes, the same people will accuse them of being stagnant
I know! Catch-22. A band changes and people complain that they're sellouts; they don't change and people complain that they don't change. Hahaha.
Like Black Label Society, everyone complains that Zakk releases the same album year after year. Yet no one seems to appreciate that Zakk releases an album pretty much every single year! How can you not like that? Yes, album to album there's not much evolution so people whine and complain; but compare Shot To Hell to Sonic Brew and they're two completely different kinds of albums! No one seems to acknowledge this. Now, imagine if Zakk had released Shot To Hell right after Sonic Brew; he would have been slammed for selling out.
Quote:
I think there are alot of bands that sold out in some way, but I don't even necessarily believe they are all completely bad. It's not as if DT's Falling into Infinity was devoid of any good songs. I just apparently think this happens more overall than you do.
Labels have a lot of influence on bands. You think the label would have been happy with the new Evanescence album if "Call Me When You're Sober" wasn't on it? That's the clear-cut lead-off single. There is no other guaranteed radio-friendly track on the album. Labels often influence bands to write a song like "Call Me When You're Sober" with the threat—overt or subtle—of not releasing the album until they produce that "hit." An unfortunate side effect of the music business.
Some bands write a song or two to appease the label; some bands do the entire album this way. The latter is the band I consider to be the true sellouts; the former just do what has to be done.