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PostPosted: Thu Sep 14, 2006 7:19 pm 
metalhead4life wrote:
I have to say I disagree with on the inflames thing eyesore. Now I will say first off that I do like Reroute to Remain, that record was not necessarily like their old stuff but just had really great hooks and just solid quality music and songs. I dont even listen to soundtrack to your escape, I mean every song sounds the same. I remember hearing it for the first time and it just seemed like one long song.

It doesn't matter. If you take every In Flames album and listen to them chronologically, you can see it coming a mile away.

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Another thing I have to disagree with you on eyesore is when you said everything can be commercial or become popular. Doom genre as a whole I dont think could ever be that way and its not exactly the intention of that genre to be that way either. Also take some of these extreme raw black metal bands out there, you think that would get a bandwagon following like these stupid metalcore and hardcore bands do?

Yes, absolutely. Anything can be sold.


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PostPosted: Fri Sep 15, 2006 1:11 am 
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Eyesore wrote:
Quote:
Another thing I have to disagree with you on eyesore is when you said everything can be commercial or become popular. Doom genre as a whole I dont think could ever be that way and its not exactly the intention of that genre to be that way either. Also take some of these extreme raw black metal bands out there, you think that would get a bandwagon following like these stupid metalcore and hardcore bands do?

Yes, absolutely. Anything can be sold.


I dunno, Ken...I have to disagree with you on this one. Where I live, even metalcore and hardcore doesn't get radio play. The heaviest stuff that gets played is Slipknot and SOAD...back when I listened to the radio a lot, I heard Killswitch Engage once and Atreyu once. That's it. People just don't want to hear that stuff.

Also, I think you're WAY overestimating the power of the radio over people's tastes. People listen to certain types of music because that's what they like, not because that's what they're made to listen to. If they started playing black metal in the radio, people would complain until they took it off. There's no way that people would abandon their 30 Seconds to Mars and Panic! at the Disco--that's what they like.


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PostPosted: Fri Sep 15, 2006 2:17 am 
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Ist Krieg
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I disagree with Ken completely on the anything can be sold part. I haven't heard a single band on a major label that doesn't have some sort of hooks or catchyness to their sound. The only exception I can think of to this is The Melvins, but they only got a major label deal because Kurt Cobain said they were his favourite band.


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PostPosted: Fri Sep 15, 2006 2:51 pm 
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metalhead4life wrote:
misha, how do you feel about metallica's first 4 classic albums and older inflames stuff?

Never liked Metallica, the early In Flames stuff was better than the recent outputs, but it's nothing I'd listen to.


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PostPosted: Sat Sep 16, 2006 12:29 am 
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Eyesore wrote:
rio wrote:
But it seems to me that your defence of Metallica and In Flames is misguided. Metallica DID change their style in order to attract a wider audience with the Black Album. Surely there can't be any doubt about that? Right from the start the band had said they'd wanted to be one of the biggest in the world, and this was just another big step towards that goal. They hired Bob Rock because they wanted him to show them how to become more accessible.

But what did they do, really? Did they really change their style? I don't think they did at all; they just wrote within the confines of a standard song structure, whereas on past albums there was no strict structure, they could have a 2 minute solo after the first first!

I think Bob Rock and the record label had more to do with the change than the guys in Metallica. ...And Justice For All sold millions of albums, as did Master Of Puppets. It's clear the band would have still done well, but I think some people smelled the money and Metallica were sucked in ignorantly. I don't think there was any clear attempt at selling out from the band, I think they just did what most bands do and listened to the producer. The producer is their to guide, and when a band relinquishes that ego and follows the producer's lead it can be a great thing, or a very bad thing. In the case of the black album I think it was a great thing. Sure, it was different in the sense that the songs were more compact, but musically not a whole lot changed, in my opinion.

I think Load and Reload were rebellious albums. I think the band wanted to break away from that mold that Rock had put them in.

Quote:
As for In Flames, I never gave a shit about their stuff, old or new. But once again there can be no denying that their later albums moved their sound towards the mainstream. It's ridiculous to say it happened the other way round. Whether this was a business decision, or an artistic one that just happened to take them in a more commercial direction is hard to say, but the former seems slightly more likely.

EVERYTHING COUNTS

Give it a listen (EDIT: Sorry, there are jitter errors). That's from Whoracle. Tell me that's not like the newest shit! There are plenty more songs, or moments within songs, that, in my eyes, proves that In Flames did not sell out, but simply evolved over time. Their albums steadily changed, there is no defined gap in style. It's a progressive, steady shift in style, which is a very normal thing as band members grow older. When you're 30 years old, just take a look at the music you listen to compared to when you were 20. Then you'll know why bands evolve and change their sound in time.


Forgot this discussion... :ph34r:

Anyway, seems to me that there are plenty of differences between AJFA and TBA, not just in terms of song length. The riffs on the latter are so, so much more simplistic and head banging, compared to AJFA where they are frequently pretty hard to pin down and snake around like nobody's business.


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PostPosted: Sat Sep 16, 2006 8:12 am 
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rio wrote:
Eyesore wrote:
rio wrote:
But it seems to me that your defence of Metallica and In Flames is misguided. Metallica DID change their style in order to attract a wider audience with the Black Album. Surely there can't be any doubt about that? Right from the start the band had said they'd wanted to be one of the biggest in the world, and this was just another big step towards that goal. They hired Bob Rock because they wanted him to show them how to become more accessible.

But what did they do, really? Did they really change their style? I don't think they did at all; they just wrote within the confines of a standard song structure, whereas on past albums there was no strict structure, they could have a 2 minute solo after the first first!

I think Bob Rock and the record label had more to do with the change than the guys in Metallica. ...And Justice For All sold millions of albums, as did Master Of Puppets. It's clear the band would have still done well, but I think some people smelled the money and Metallica were sucked in ignorantly. I don't think there was any clear attempt at selling out from the band, I think they just did what most bands do and listened to the producer. The producer is their to guide, and when a band relinquishes that ego and follows the producer's lead it can be a great thing, or a very bad thing. In the case of the black album I think it was a great thing. Sure, it was different in the sense that the songs were more compact, but musically not a whole lot changed, in my opinion.

I think Load and Reload were rebellious albums. I think the band wanted to break away from that mold that Rock had put them in.

Quote:
As for In Flames, I never gave a shit about their stuff, old or new. But once again there can be no denying that their later albums moved their sound towards the mainstream. It's ridiculous to say it happened the other way round. Whether this was a business decision, or an artistic one that just happened to take them in a more commercial direction is hard to say, but the former seems slightly more likely.

EVERYTHING COUNTS

Give it a listen (EDIT: Sorry, there are jitter errors). That's from Whoracle. Tell me that's not like the newest shit! There are plenty more songs, or moments within songs, that, in my eyes, proves that In Flames did not sell out, but simply evolved over time. Their albums steadily changed, there is no defined gap in style. It's a progressive, steady shift in style, which is a very normal thing as band members grow older. When you're 30 years old, just take a look at the music you listen to compared to when you were 20. Then you'll know why bands evolve and change their sound in time.


Forgot this discussion... :ph34r:

Anyway, seems to me that there are plenty of differences between AJFA and TBA, not just in terms of song length. The riffs on the latter are so, so much more simplistic and head banging, compared to AJFA where they are frequently pretty hard to pin down and snake around like nobody's business.

Just a minor point, "Everything Counts" is a Depeche Mode cover, so you can't really use that as a yardstick.


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 Post subject:
PostPosted: Sat Sep 16, 2006 11:04 pm 
Carnifex Umbris wrote:
Just a minor point, "Everything Counts" is a Depeche Mode cover, so you can't really use that as a yardstick.

:omfg:

I had no idea. :sad:

There are still other examples! :P


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PostPosted: Sun Sep 17, 2006 7:19 am 
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Eyesore wrote:
Carnifex Umbris wrote:
Just a minor point, "Everything Counts" is a Depeche Mode cover, so you can't really use that as a yardstick.

:omfg:

I had no idea. :sad:

There are still other examples! :P


Ha ha, Damn Ken, you need to join noodles on the "I don't know shit about metal" front. ha ha

Great cover song btw. But yeah, Episode 666 and the shit from STTYE sound exactly the same. In Flames never changed until they started getting on these tour packages with Metalcore band like Earth Crisis (the first time I saw them) and big shows in the US, just like Soilwork you totally fucking lost it on FnF. Same thing happenend to Lacuna Coil, so don't tell me it was a natural progression it was def influced by their label and the tour packages and new fans they were being put in front of it. Listen to Clayman and the R2R (which I like) come on, did you honestly see that coming? I can see the change from Jester Race to Clayman but not the huge jump just being natural. Now bands like Tiamat, Sentenced, even Sameal, that is a different story.


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PostPosted: Sun Sep 17, 2006 7:32 am 
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how can you say that episode 666 sounds like the stuff off of STTYE? I love episode 666, I dont love STTYE


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PostPosted: Sun Sep 17, 2006 9:00 am 
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metalhead4life wrote:
how can you say that episode 666 sounds like the stuff off of STTYE? I love episode 666, I dont love STTYE


I was being sarcastic........

I think Ken has little men living in his head that distort his hearing to tie everything into neat little packages for him to digest.


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PostPosted: Sun Sep 17, 2006 10:26 am 
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leee wrote:
Ha ha, Damn Ken, you need to join noodles on the "I don't know shit about metal" front. ha ha

:sad:


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PostPosted: Sun Sep 17, 2006 6:10 pm 
leee wrote:
Eyesore wrote:
Carnifex Umbris wrote:
Just a minor point, "Everything Counts" is a Depeche Mode cover, so you can't really use that as a yardstick.

:omfg:

I had no idea. :sad:

There are still other examples! :P


Ha ha, Damn Ken, you need to join noodles on the "I don't know shit about metal" front. ha ha

Pffft! Sorry, I'm not a big Depeche Mode fan. :lame:

Quote:
Great cover song btw. But yeah, Episode 666 and the shit from STTYE sound exactly the same. In Flames never changed until they started getting on these tour packages with Metalcore band like Earth Crisis (the first time I saw them) and big shows in the US, just like Soilwork you totally fucking lost it on FnF. Same thing happenend to Lacuna Coil, so don't tell me it was a natural progression it was def influced by their label and the tour packages and new fans they were being put in front of it. Listen to Clayman and the R2R (which I like) come on, did you honestly see that coming? I can see the change from Jester Race to Clayman but not the huge jump just being natural. Now bands like Tiamat, Sentenced, even Sameal, that is a different story.

I never said that the early shit sounds the same, I said you can hear the new shit in the early stuff. There is a bigger jump between Clayman and Reroute, but I still don't think it's that big. Sure, they were no doubt influenced by other bands, how can you not be? Especially if they aren't a bunch of close-minded twats you'd think they may actually like a lot of newer bands/styles. It'll show up in their music. But regardless, I just don't see this drastic style shift that everyone claims is there. I saw it as a gradual change, a natural shift that happens in a good majority of bands.

And Earth Crisis aren't metalcore, you tard!


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 Post subject:
PostPosted: Sun Sep 17, 2006 6:15 pm 
leee wrote:
metalhead4life wrote:
how can you say that episode 666 sounds like the stuff off of STTYE? I love episode 666, I dont love STTYE

I was being sarcastic........

I think Ken has little men living in his head that distort his hearing to tie everything into neat little packages for him to digest.

No, I'm a realist. You're delusional.


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PostPosted: Mon Sep 18, 2006 1:08 am 
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Einherjar

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Eyesore wrote:
leee wrote:
metalhead4life wrote:
how can you say that episode 666 sounds like the stuff off of STTYE? I love episode 666, I dont love STTYE

I was being sarcastic........

I think Ken has little men living in his head that distort his hearing to tie everything into neat little packages for him to digest.

No, I'm a realist. You're delusional.


I think it is because you started to listen to all of these bands after they already changed somewhat and you dug it so when you went back to their back catalouge it didn't make that big of difference to you..... I could be wrong though.

I am suprised you don't dig Depeche Mode, one of my fave bands that don't play Metal and a major influence for a lot of the Euro Metal bands I like.


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 Post subject:
PostPosted: Mon Sep 18, 2006 1:49 am 
leee wrote:
Eyesore wrote:
leee wrote:
metalhead4life wrote:
how can you say that episode 666 sounds like the stuff off of STTYE? I love episode 666, I dont love STTYE

I was being sarcastic........

I think Ken has little men living in his head that distort his hearing to tie everything into neat little packages for him to digest.

No, I'm a realist. You're delusional.


I think it is because you started to listen to all of these bands after they already changed somewhat and you dug it so when you went back to their back catalouge it didn't make that big of difference to you..... I could be wrong though.

You are. I first heard Whoracle and Clayman while I was in Korea. I just think that I have a bigger tolerance than most. As music fans we're all selfish, we want what we like, but some people can handle bands changing more than others. In Flames did change, but I still think each album is good, if not great.

Quote:
I am suprised you don't dig Depeche Mode, one of my fave bands that don't play Metal and a major influence for a lot of the Euro Metal bands I like.

I would probably dig Depeche Mode, I've heard a lot of songs and I've liked them all. I just never bought anything by them.


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PostPosted: Mon Sep 18, 2006 9:23 am 
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It's not always a matter of changing, it's changing in a perticular direction. I love the way Hawkwind, Darkthrone and Ulver changed, the way John Zorn changes with every record, but you can't say they got to be more accessible. If I would still listen to a lot of metal, I would like a lot of bands to change, because why the hell would I need 10 basically similar albums? Changes into more commercial waters usually just suck though.


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PostPosted: Mon Sep 18, 2006 10:46 am 
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Earth Crisis aren't metalcore? So what are they? And what are (were) Refused, then?


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PostPosted: Mon Sep 18, 2006 11:19 am 
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Zad wrote:
Earth Crisis aren't metalcore? So what are they? And what are (were) Refused, then?


Earth Crisis are hardcore and Refused are quite hard to categorise.


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PostPosted: Mon Sep 18, 2006 11:22 am 
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rio wrote:
Zad wrote:
Earth Crisis aren't metalcore? So what are they? And what are (were) Refused, then?


Earth Crisis are hardcore and Refused are quite hard to categorise.


Surely if hardcore has a teensy bit of metal it qualifies as metalcore? Not all of us use the 'm' word disparagingly...


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PostPosted: Mon Sep 18, 2006 11:27 am 
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Well, hardcore had a teensy bit of metal in it right from the very start, so I guess to be metalcore it has to be more than that.

I never listened to Earth Crisis but from what people say to me I got the impression that the amount of metal there was very minimal.

Anyway, given my knowledge of the issue there are better people than me to be discussing this with :ph34r: :blink: :wacko: :huh: :wink:


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