Atonement Ritual
Embrace of Thorns
- Style
- Black Metal
- Label
- NWN Productions
- Year
- 2009
- Reviewed by
- Charles
This can only appeal to those with a masochistic desire to open their ears up as a lobey common room for minute sewage-shovellers. The riffs are dense, and often have a very strong flavour of rancid death metal. They can be truly blistering but the necro ethos leaves them sometimes sounding queasily weak, like the victim of a Texas funeral. Rarely is this better illustrated than on Perdition Hammer, in which Deicide-like guitar hammering is haunted by pale-faced, reverb-heavy lead noodling, which serves little purpose but to give the whole thing a sense of unease. The song trails off unexpectedly and immediately in the middle of a riff, like someone dying before they finish a.
…
All of which, as any black metal lover will understand, very much adds to its appeal. Atonement Ritual really works, from the hammy but reliable ambient horror diversions that open and close the album, to the grandiose doomy plodding of Tombs of the Desecrated Zealots, among others. Indeed, it’s these slower moments that really elevate this. Venom in Veins’s opening staggers along, even allowing a sense of groove to emerge, like Burzum’s Lost Wisdom, for example, but the dripping-with-pus guitar tone of a corpsepainted Obituary. These passages sound utterly rotten but simultaneously imposing, like the Necronomicon from the Evil Dead films. Embrace of Thorns shamble through an album of murky black metal with black blood pouring from their noses and orange-sized welters under their arms; if you are wondering about music for your next children’s party or wedding reception, why not give it a try?
Reviewed by Charles — September 14, 2009