Aokigahara Jukai
Thrall
- Style
- Black Metal
- Label
- Moribund Records
- Year
- 2013
- Reviewed by
- Charles
So, there are plenty of songs here that could fit nicely on Vermin to the Earth, in terms of both style and quality. The title track offers a particularly nasty seven minutes. It is neatly and cunningly balanced, with pestilential grooves- a little reminiscent of something like Black Crow on a Tombstone by Satyricon- before the rhythms become more awkward and the tone becomes danker towards the end. Closer Slaves also deserves a mention for the virulence of its hooks; it would work perfectly as an evening-closer at some kind of black metal party night.
Elsewhere, as I indicated above, the ‘grim’ side to this has also been nourished a little more than it was on the last record. See for example Longing for Death, Of Hate, or Ubasute, all of which spurn the sense of groove so evident elsewhere. The last-mentioned, in particular, really stands apart from much of what surrounds it. It switches from Thrall’s more usual 4/4 beat into a more meloblack 6/8, conjuring the frosty melodies of Dissection and the like. The effect is compounded by the vocals: normally a rasping shout, here they move closer to a mad shriek akin to Arrrrrrrach’s work for the terribly overlooked Welsh band Ghast. Sat right in the middle of the track listing, it gives Aokigahara Jukai a slightly more uncertain feel, at odds with the hooks on display elsewhere, but reinforcing Thrall’s blackened credentials. Another very solid release.
Reviewed by Charles — December 29, 2013