Fizala
Abgott
- Style
- Black Metal
- Label
- Helvete Rec.
- Year
- 2003
- Reviewed by
- Charles
Fizala is a different proposition, although no less odd. The virtuosity here is far less developed, with the music occasionally sounding clumsy, and it is far less extravagant than what was to follow it. It amply compensates for its occupation of this lower technical plane by embracing unpredictability and general weirdness in its songwriting, comparable to fellow Italian purveyors of the peculiar, Ephel Duath. Songs such as Lanrutcon Nyarlathotep seem almost formless, at times sounding like someone whistling arbitrary tuneless fragments to comfort themselves on a dark night’s walk, if they had a fully amped up black metal band inside their mouth.
It’s not all like this, of course. At the heart of this strange procession of quirky riffs and slightly unnerving ambient filler (such as the piano-jabbing closer invoking everybody’s favourite ancient tentacular horror, Cthulhu) is a black metal band that is more classically recognisable as such than the group would become on their next album. The oddness on Fizala, unlike that on Artefact is that which has always lurked in the background of this type of music since the early 1990s, with Fleurety seeming a particularly apt comparison. Abgott, on this record at least, have the same bass-heavy, murkily melodic riffs that reek of mystery.
This is an interesting, rather than inspirational, black metal record, by a band that deserves to be listened to more. Artefact of Madness is a stronger album, but Fizala is more than capable of standing alone as a sick little monument to the bizarre beauty of black metal.