Van Halen II
Van Halen
- Style
- Hard Rock
- Label
- Warner Bros. Records
- Year
- 1979
- Reviewed by
- Aleksie
The band at this point is about the perfect combination one can find. You got David Lee Roth, the Diamond One, the greatest frontman in history to lead the show. No, he isn’t the greatest vocalist around, but just like Ozzy, he makes up for the limited vocal department in style, flash, flair, wit and pure showmanship. No one ever wrote more clever lyrics about partying, breaking up with the lady, scoring another one and passing out on the curb/in the bed so convincingly, yet so absurdly. You don’t wanna make me start praising Eddie Van Halen. Overall, the greatest guitarist ever. Period. Short an Sweet. And a super composer, showman and background vocalist to top it all off. Michael Anthony, one of the finest harmony vocalists in rock and he plays the bass at the same time! And Eddies brother Alex Van Halen behind it all keeping the beat steady and groovy on the drums. These four men formed the ultimate rock unit. Not the first, not the last, only the best.
A groovy cover of the Linda Ronstadt-classic You´re No Good starts the sleazy road to the land of women, whiskey and wackos with style. The excellent and super catchy tunes Dance The Night Away and closer Beautiful Girls show off VHs pop sensibilities well, while Somebody Get Me A Doctor, Bottoms Up!, D.O.A. and Outta Love rock with the testosterone-fueled energy that Van Halen is the master of. Women In Love struts as a classic mid-tempo rocker and Spanish Fly is Eddies flashy acoustic solo spot, that matches the intensity of the legendary Eruption to frighteningly close measures. This is one of Eddies greatest talents. He can play a LOT of notes, and still sound super-melodic and catchy. Not a lot of guitarists can pull that off. Anyone can play fast. But very few can play fast with style. Light Up The Sky is the only mediocre tune on the record, that just doesn’t quite take off.
The production on the album is good and very clear on all levels, but it lacks the sonic hyperblast that the debut dished out on anyone within a five mile radius. Mostly this is due to the more laid back guitar sound. Eddies brown sound is still distinctive, but its not as scorching as on the debut. Luckily the hot-rodded Marshalls still pack a wallop, even on a bit lower gain levels.
All in all, after a debut-to-beat-them-all, VH 2 is a very solid sophomore offering, even if it is more popish and laid back. It is still unmistakeably VH. If you aint got Van Halen, you aint got squat! Now somebody GET ME A DOOCTOOOOORRR!!!