Zad wrote:
It can be taken seriously, especially when you consider other examples of what people believe to be decent writing (have a trawl through some fanfic sites, especially the "erotic" ones). Interesting, again, that your definition of what film criticism is is so... defined.
And just because I'd be selling myself out if I didn't mention it, the teacher can't spell 'appropriate'.
So Snape/Harry slashfic is appropriate for an academic setting? Or worse, vore and macro? (If you don't know what those are, consider yourself lucky.) This was being done for a class. And yes, my definition of a film paper is defined. It should be.
For a film class I took sophomore year of college, I wrote:
The robotic simulacrum of Maria embodies all that is evil in unbridled technology and the uncontrolled female; through her, Lang equates female sexuality and the havoc that can be wrought upon society through unbridled technology. Although Tima in Osamu Tezuka’s 2001 adaptation of Metropolis is also a negative symbol of technology, her feminine aspect has been pushed into unimportance; she is a young child, asexual although nominally female. Rather, she stands as a warning against the dehumanization and madness that can occur when humans give up control of their own lives to advanced technology. Both films depict strong male leadership as essential for a functional society, vividly demonstrating the destruction that comes when the male leader becomes compromised by and dependant upon technology or the feminine.
That's an example of good filmic writing. For further information, consult such essayists as Susan Sontag.