Hammer wrote:
Wow, people do seem divided on WS vs. AOB, and how they compare to Scarecrow and The Metal Operas. Definitely seems that, similar to Edguy, if people are really wedded to the early, full-on operatic power metal style of Avantasia and, to a lesser degree, Edguy, they have a harder time enjoying this.
I, for one, like Scarecrow a lot, but I like the two new albums a lot more after extensive plays. Scarecrow seemed like Tobi had more of a grab bag of different ideas, stylistically, that he wanted to express, where the songs on these albums---though varied---feel more like part of a thematic whole to my ears. For me "Toy Master" is one of the weakest songs on Scarecrow: works well strictly as a vehicle for Alice Cooper's guest spot (was definitely written with him in mind), but less so as an Avantasia/Tobi song IMO. (I'm not a huge AC fan either to give full disclosure). And I love The Metal Operas, they stand alone as classics of that style, but I think they are too different to directly compare to the two new ones.
I also think "Dying For An Angel" is a kick ass hard rock/metal single, that both sounds like Tobi yet also is perfect for the duet with Klaus (who sounds fantastic on it btw). It's a little bit 80s rock and metal, a little bit modern rock and metal, with a great solo, and it's catchy as hell. I don't get what's not to like? I can only hope it does get on the radio so more people discover this music through a song like that.
As for the rest, I like some better than others for sure, but I am immensely entertained listening all the way through these albums, and I think the longer pieces are actually some of Tobi's best and most consistent.
I was skeptical when I first heard some samples but, again, I feel if you are open to it and can set aside your biases to particular metal genres, etc., this is just great, powerful and potent music. Tobi will never be considered a cutting edge, experiemental, musical pioneer type, but I personally love how he captures the spirit of everything that's been great in metal and rock across multiple generations and delivers it in his own voice and style and with so much passion and enthusiasm. I hear everything from modern metal and hard rock to 80s metal and hard rock, along with bits of Queen, Styx, Kansas, Meatloaf, Journey, Triumph (even snippets of Pink Floyd, Genesis), all blened into what I think is a pretty uniformly strong selection of songs.
Anyway, I have been enjoying the hell out of both WS and AOB since I got them but, definitely, if you judge the quality of an album based mostly on a scale of "heavy" vs. "light" (i.e. pure metal vs. hard rock, rock, etc.) or how closely---or not---each song sticks to the patented Euro power metal formula, then you will likely be disappointed.
Great post.
Wasted on too many dummies, though.
