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The_Voice
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PostPosted: Mon Dec 06, 2010 5:01 pm 
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Kathaarian wrote:
Later Celtic Frost, anyone? Triptykon too.

+1
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huskerc7
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PostPosted: Mon Dec 06, 2010 7:27 pm 
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Ist Krieg

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Peter Tagtgren always produces interesting guitar tones. They always have a distinct sound.
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North From Here
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PostPosted: Mon Dec 06, 2010 7:28 pm 
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huskerc7 wrote:
Peter Tagtgren always produces interesting guitar tones. They always have a distinct sound.



Really? Are you out of your mind?
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huskerc7
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PostPosted: Mon Dec 06, 2010 7:31 pm 
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emperorblackdoom wrote:
huskerc7 wrote:
Peter Tagtgren always produces interesting guitar tones. They always have a distinct sound.



Really? Are you out of your mind?


No. I can almost just generally tell it's something he's produced. Which is pretty fucking cool if you ask me. He's a stand out producer.

Fucking nerd.
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North From Here
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PostPosted: Mon Dec 06, 2010 7:35 pm 
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huskerc7 wrote:
emperorblackdoom wrote:
huskerc7 wrote:
Peter Tagtgren always produces interesting guitar tones. They always have a distinct sound.



Really? Are you out of your mind?


No. I can almost just generally tell it's something he's produced. Which is pretty fucking cool if you ask me. He's a stand out producer.

Fucking nerd.


His production would be distinct if he didn't produce half the bands from Sweden. It's good on some albums, but on stuff like Marduk it was way too crunchy.
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The Evil Dead
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PostPosted: Mon Dec 06, 2010 8:01 pm 
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Einherjar
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Marduk sucks anyway so it doesn't matter.
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huskerc7
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PostPosted: Mon Dec 06, 2010 8:25 pm 
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Ist Krieg

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emperorblackdoom wrote:
huskerc7 wrote:
emperorblackdoom wrote:
huskerc7 wrote:
Peter Tagtgren always produces interesting guitar tones. They always have a distinct sound.



Really? Are you out of your mind?


No. I can almost just generally tell it's something he's produced. Which is pretty fucking cool if you ask me. He's a stand out producer.

Fucking nerd.


His production would be distinct if he didn't produce half the bands from Sweden. It's good on some albums, but on stuff like Marduk it was way too crunchy.


I can almost always tell a Peter Tagtgren guitar tone. Which is why I said his production is "distinct."
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The Evil Dead
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PostPosted: Mon Dec 06, 2010 8:41 pm 
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Einherjar
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Peter is awesome regardless of what we're talking about. :dio:
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stevelovesmoonspell
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PostPosted: Mon Dec 06, 2010 9:33 pm 
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Dismember have a fairly distinct guitar tone.
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North From Here
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PostPosted: Mon Dec 06, 2010 10:53 pm 
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Ist Krieg

Joined: Tue Nov 02, 2004 3:07 am
Posts: 6519
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huskerc7 wrote:
emperorblackdoom wrote:
huskerc7 wrote:
emperorblackdoom wrote:
huskerc7 wrote:
Peter Tagtgren always produces interesting guitar tones. They always have a distinct sound.



Really? Are you out of your mind?


No. I can almost just generally tell it's something he's produced. Which is pretty fucking cool if you ask me. He's a stand out producer.

Fucking nerd.


His production would be distinct if he didn't produce half the bands from Sweden. It's good on some albums, but on stuff like Marduk it was way too crunchy.


I can almost always tell a Peter Tagtgren guitar tone. Which is why I said his production is "distinct."


I suppose it is in a sense. His production is just too common. I liked his work on the Hypocrisy and Amon Amarth albums but felt he took the 'crunchy' too far on Enslaved and Immortal.
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Adveser
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PostPosted: Tue Dec 07, 2010 12:28 am 
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Joined: Tue Nov 13, 2007 1:26 am
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Morifade, for some reason, used fuzz pedals extensively. I don't hear that an awful lot on metal albums the way they did it. They wanted to destroy the dynamics of the rhythmic parts and keep a flat thin fuzzy tone and I think it sounds great. The leads are a whole lot saturated, fat, semi-clean tones with a lot of melody and dynamics, but they still have that thin fatness to them, if any of you guitarists know what i'm saying.

I say thin in the context of compression and frequency range. It does not necessarily mean "bright." a very mid-range heavy tone is thin too. AC/DC's 70's tone was thin like that.

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I love the Queen.

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JokerMachine
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PostPosted: Tue Dec 21, 2010 8:27 am 
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Location: Russia
Boris' guitar tone in just about any album, but especially Pink and Heavy Rocks. Fuzzed out Orange amps - beautiful.

Carcass' lead tone on the Swansong album - lots of sustain, smooth. Great melodeath tone, IMHO.

Fu Manchu's overall sound on the album In Search Of.

I don't know enough about guitar tone and all that to go any deeper than that.
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