cry of the banshee wrote:
stevelovesmoonspell wrote:
I respectfully disagree, these guys were and are still one of the most creatively extreme bands coming out of the eighties. No one even remotely touched the tempo and skill of musicianship, as to execute melodies and leads in Christian Resistance and No Resurrection that trounce Kreator even in terms of power. When I first heard this band about two years ago I was blown away, and everytime I hear Mind wars it's a throwback to a time when extremity in metal wasn't measured by wanking needlessly, shitty gore lyrics, or trying to outblast other bands. These guys were onto something and they are still one of the most extreme bands in metal I'd wager even more so than any modern death metal band I've ever heard.
No arguments here... but is it a classic?
In my opinion, as good as it is, it is a very good archive.
Top notch musicianship? Check
Innovative? Well, kinda...
Representative of the time period? Again, kinda.
Withstands the test of time? Check
Influential? ...
Is it a milestone in the genre? Not really.
Not to mention their relative obscurity, especially at the time.
If all the above were in the affirmative, I'd say yes, it's a classic; but, being that a few of the criteria are not really met, I have to no, not quite a classic.
Of course, that's just my opinion.
Perhaps, we should re-evaluate what constitutes a genre defining classic as opposed to an underground classic. If considered within that context than I can see your point, though I still firmly see it as an 'underground' classic, regardless of if your logic in your final point being it must be a "milestone". As for me I see it as being far above anything in the American thrash mainstream, no band even remotely touched that level of musicianship with the exception of other underground acts. So if one is to adequately search in the pool and myriad of 80's/early 90's metal releases, it would behoove a reviewer much more so to consider the above criterion more so than any nebulous "genre defining" criterion. Besides, there are a multitude of underground releases in extreme metal regarded as classics, some of which don't even make the cut due too overhyped/overregarded albums based on even some of what you have stated defines a release as thus.
Would you say anything by Blasphemy, Infester, Incantation, Countess, Goatlord, Vulcano, or any underground extreme act should be seen as less than classic simply because it wasn't a "milestone" in terms of a sphere of influence?