Dead Machine wrote:
rio wrote:
Perhaps, but you only really seem interested in acknowledging replies that point out the difference between fact and opinion. Of course we can all appreciate this, but it really calls into question the purpose of having a thread like this.
Regardless of what all our feelings may be on the merits of there work, you seem to be implying that it's a fact that if we were to take any Opeth riff, we can find a precedent for it in a PF song. Oh, except that Opeth have different tuning, different vocals, more twin lead partts, different drumming... Honestly, I think it's a fact that this is not the case. Especially, as TIE points out, in the pre Steven Wilson era- where there are still prog rock influences but Opeth are still 90% a metal band.
For one, that reply was sarcastic, but e-sarcasm, as I continually forget, is hard to detect.
I said there were exceptions, like the mediocre chugga-chugga death metal riffing that they throw in occasionally, such as in Wreath.
Wait, wait, wait. Where did I say that they weren't a metal band? I don't see that anywhere in this thread. Saying that they get all their riffs from Pink Floyd isn't the same as saying they aren't METAL, which they usually are, except for occasionally when they do stuff like Harvest and Patterns in the Ivy.
Haha... yeah my sarcasm detectors don't work quite as well in cyberspace as they do in real life. And also I agree with you regarding Wreath, it is certainly a pretty mediocre song.
So as we agree, Opeth are a metal band, and as such they have metal riffs, which is something radically different from anything that PF would have based a song around. Listen to Morningrise and My Arms Your Hearse especially, and these songs are all based around much of the same kind of twin lead melodeath riffing that you would expect to hear in the work of other swedish melodeath bands, and this is a tradition continued at least over there next three albums as well. And Orchid is 95% melodeath with the odd folk influence. In fact, this is what forms the basis of their repertoire. There is more in common with other Swedish bands from that scene than PF. Now, the
influence of the prog bands that you identify is what combines with the melodeath to make them unique. There are very few metal bands attempting this kind of fusion, and the ones that do rarely have as much of a feel for and understanding of prog rock bands as Opeth, imo. So you could say that their innovation is not the fact that they have mellow bits, but the fact that they also place as much time and effort into them as they do the heavy bits.