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PostPosted: Wed Aug 31, 2005 8:19 pm 
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Ist Krieg
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opeth are more original than 90% of metla bands out there :\


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PostPosted: Wed Aug 31, 2005 10:22 pm 
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rio wrote:
Radical Cut wrote:
Sounds like Deep Purple? What breathtaking originality!!

There is no way this is more of a jump in sound for them then MAYH was, that was easily the biggest single-record jump of their career and will most likely never be matched again.

And in case you weren't listening (you insist you read fine, but I don't know...) there is no such thing as a checklist for what IS progressive. The very existence of such a thing would make it no longer progressive in the truest sense. To be progressive is simply to go to new places, not to rip off deep purple or to write long songs or any of that, but to actually take music to new places and do things in new ways. For example, back in the early-to-mid nineties taking death and black metal and mixing in clean vocals, twisting song structures, using instruments new to the genre, pushing the technical boundaries and such were fairly progressive things. However, these things are simply part of those genres now. Bands who choose to include them aren't groundbreakingly progressive anymore, because it's been done and can be easily listed. Progressive music is what has NOT been done and can NOT be listed as the accomplishments of another band.

However, I do agree with lizardtail to an extent. Insofar as that certain things such as song structure can continue to be progressive even if they have been explored already. It's been a while since bands started eschewing traditional verse-chorus song structure, but the very nature of doing that tends to continue being progressive because it eliminates the blueprint and forces the band to create something new and (hopefully) unique (unless they like, just rip off some Opeth song or something, but we're assuming that that doesn't happen :lol: ).


Uh-huh... well this is all very well except for the fact that Dead Machine is arguing that they sound like a metalised prog rock band. I'm sure you can appreciate the difference between the use of the word in that sense and the one you have just used it in.

And you point out that we can't compile a progressive checklist, but you seem to proceed to do it anyway, by saying that most bands nowadays that eschew verse chorus verse structure, are progressive. This is as bizarre an example as ever I've heard, seeing as how it includes pretty much everyone playing black metal. This is especially odd, seeing as how you argues that "twisting song structures" is an example of something that was progressive when MAYH came out, but is not any more. In fact, it seems more and more like you are just making up on the spot what constitutes progressive music.

And sounding like Deep Purple? Is this original in a wider sense? By definition no, and in fact so obviously not that I wonder why you bother to point it out. However, within the context of Opeths music, this is a radical change, and is one example of the ways in which they have progressed, by bringing in elements new to their genre. Predictably, you will argue that how can anything that sounds like Deep Purple be progressive. Then perhaps I can ask you in what ways mixing clean vocals and DM vocals, and twisting song structures was progressive even in the mid nineties, seeing as how all these musical elements had previously existed in other genres.

Jesus. You love to twist my words and meanings around to fit your argument. You're a progressive bastard!

Where to even start...maybe start by reading my post again since you didn't seem to take any of it the way I meant it, you're arguing largely against things that I haven't even proposed, going so far as to literally answer for me just so you could lecture me about the answer you supposed I would give (how's that for putting words in my mouth).

On the subject of being progressive though, I gave a definition, not a checklist. I happened to mention that one crossover element, song structure, because it happens to be something that can continue to be progressive since it's very nature is to be new and different. However, things that are not changes, but rather additions (clean vocals, new instruments, and such) are not continually progressive because they don't come out in new forms every time they are used, they don't re-invent themselves. It is possible to do new things with an instrument of course, but Opeth is hardly doing that. Whether or not a band actually does something of their own with a song structure depends on the band obviously, but it CAN be progressive in the right hands, whereas these other things are much more often recycled instead of re-invented.

And then you're just combining two completely different things with this comparison of sounding like Deep Purple and adding new elements to the genre. When bands like EoS and others were doing new things with the sound they were adding things that can't be attributed to a single band(clean vocals, classical instruments, these do not belong to a single band), they were adding legitimate elements that could be expanded upon and worked with for years following. Sounding like Deep Purple simply can't be compared with making actual contributions to the development of a genre.

But christ, this is a lot of stupid shit to be arguing about when the only thing I was trying to say was that Opeth simply is not as strikingly original and progressive as people are claiming in here. We seem to have mostly established that they are progressive in the convenient, simplified sense, and not in the true sense. But for the originality thing all I've gotten is symantics and you telling me what I think. I agree that we may never agree about a lot of things concerning this band, but we might be amazed if we had a freaking substantive discussion once in awhile instead of this page-long padded argument bullshit. You're obviously an intelligent guy, so please, in the shortest way possible, just tell me why you think they are original. I really, truly want to know, without all the clouding of offshoot arguments and whatnot, just a straight answer.


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PostPosted: Wed Aug 31, 2005 11:26 pm 
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Karma Whore
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Why is it that Opeth topics always lead to 7 pages filled with 1000 word essays?


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PostPosted: Wed Aug 31, 2005 11:31 pm 
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Radical Cut wrote:
Jesus. You love to twist my words and meanings around to fit your argument. You're a progressive bastard!

Where to even start...maybe start by reading my post again since you didn't seem to take any of it the way I meant it, you're arguing largely against things that I haven't even proposed, going so far as to literally answer for me just so you could lecture me about the answer you supposed I would give (how's that for putting words in my mouth).

On the subject of being progressive though, I gave a definition, not a checklist. I happened to mention that one crossover element, song structure, because it happens to be something that can continue to be progressive since it's very nature is to be new and different. However, things that are not changes, but rather additions (clean vocals, new instruments, and such) are not continually progressive because they don't come out in new forms every time they are used, they don't re-invent themselves. It is possible to do new things with an instrument of course, but Opeth is hardly doing that. Whether or not a band actually does something of their own with a song structure depends on the band obviously, but it CAN be progressive in the right hands, whereas these other things are much more often recycled instead of re-invented.

And then you're just combining two completely different things with this comparison of sounding like Deep Purple and adding new elements to the genre. When bands like EoS and others were doing new things with the sound they were adding things that can't be attributed to a single band(clean vocals, classical instruments, these do not belong to a single band), they were adding legitimate elements that could be expanded upon and worked with for years following. Sounding like Deep Purple simply can't be compared with making actual contributions to the development of a genre.

But christ, this is a lot of stupid shit to be arguing about when the only thing I was trying to say was that Opeth simply is not as strikingly original and progressive as people are claiming in here. We seem to have mostly established that they are progressive in the convenient, simplified sense, and not in the true sense. But for the originality thing all I've gotten is symantics and you telling me what I think. I agree that we may never agree about a lot of things concerning this band, but we might be amazed if we had a freaking substantive discussion once in awhile instead of this page-long padded argument bullshit. You're obviously an intelligent guy, so please, in the shortest way possible, just tell me why you think they are original. I really, truly want to know, without all the clouding of offshoot arguments and whatnot, just a straight answer.


Hahaha! Yeah OK I do twist peoples words... But actually in a strange way I take it as a compliment that you think I'm a "progressive baatard". :lol:

Sure you gave a definiton. But what is a definition other than a checklist of ways in which a word can be interpreted? Anyhow I can appreciate that's not the point so lets not get into it. Sorry... :oops:

After all of this, I think you are correct to say that many people overstate how radical Opeth are. In turn, however, I think you and DM understate their individuality. I disagree with both of these extremes, but seeing as how they're my favourite band, I chose to argue with you and DM as opposed to the other camp. But here, in simple language, is why I think they are original:

They are original because I can honestly think of very few bands- in fact, none, that sound exactly like them. They are one of the most immediately recogniseable bands in the metal scene today, to my ears. Their music, to me, has an atmosphere and ambiance that I don't hear in anyone elses. People can recommend thousands of bands to me that they think sound like Opeth, but I listen to them, and I can always hear big differences. This is why I think they are original!

As for the word "progressive", I think the main flaw in this ridiculous argument has been the application of it. Simply put, Opeth are "progressive metal" because they are influenced by progressive rock bands.

But if you want to use that word in a deeper way, I still believe it applies. I believe Opeths sound has progressed in that it has changed gradually whilst still being recogniseably the same band. Honestly, I think the gradual integration of new styllistic elements has been undeniable. Subtle, yes, but still there. And so what if those new elements are taken from other places? Music is a collaborative process, so if Opeth are to take other ideas and utilise them as one element of one of their own songs, that to my mind represents a progression within the context of their own work (so long as this influence is integrated in an effective and worthy way, which I think it usually is with this band).

So anyway, thats why I think they are original and progressive. Like I said, they're not revolutionary, and not radical. However, their music has progressed, therefore they are progressive.


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PostPosted: Wed Aug 31, 2005 11:35 pm 
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Einherjar
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Hey Rio, you double-posted by accident, so I deleted the second one. Hope you don't mind.

EDIT- Well, that explains it.


Last edited by Dead Machine on Wed Aug 31, 2005 11:35 pm, edited 1 time in total.

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PostPosted: Wed Aug 31, 2005 11:44 pm 
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Metal King
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Double-posts are fun :lol:

Anyways, thank you. There is a lot that you wrote that I could disagree with, but that's hardly worth it at this point. We have such different ideas in terms of both the band itself and the terms being used that it's best to leave it as you've mentioned before. This is the kind of thing that would really benefit from real-time discussion.


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PostPosted: Wed Aug 31, 2005 11:48 pm 
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Well indeed. Thus ends another "heated and intellectual debate" :lol:

I suppose at the very least they get people talking.


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 Post subject:
PostPosted: Wed Aug 31, 2005 11:58 pm 
Alright, everything is settled. You can lock it now, Dead Machine.


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 Post subject:
PostPosted: Thu Sep 01, 2005 12:43 am 
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Einherjar
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Jaden wrote:
Alright, everything is settled. You can lock it now, Dead Machine.


And I would do that... why? This is a review thread, and it wouldn't be locked in any case.


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 Post subject:
PostPosted: Thu Sep 01, 2005 1:34 am 
Learn to take a joke, newb. :twisted:


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 Post subject:
PostPosted: Thu Sep 01, 2005 1:41 am 
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Einherjar
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Jaden wrote:
Learn to take a joke, newb. :twisted:


Deleting post... now.





Man, e-sarcasm IS hard to detect.


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PostPosted: Thu Sep 01, 2005 2:25 am 
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Ist Krieg
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Like your tiny tiny writing?


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PostPosted: Thu Sep 01, 2005 3:27 am 
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Legacy Of The Night wrote:
Like your tiny tiny writing?


Precisely.


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PostPosted: Thu Sep 01, 2005 5:57 am 
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Svartalfar

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You know after Rush went from Hemispheres to Permanent waves. Moving Pictures then Signals then something like Grace Under Pressure and Power Windows the flack did not fly because we all could not bitch on the internet. Any band now that releases something is well open to a form of scrutiny that did not exist.

Opeth like Rush with their formulaic odd time bits and clever bass drum things are also open to criticism. And indeed many hate them for their formula.

Opeth have a formula. It is a cut and paste method of songwriting. No Opeth fan denies this. It is the way they manage to string these together that some of us like.
Like all great art it produces controversy. The Opeth haters only contribute to the the art of the band. That is the way.
I just want to know can the Opeth haters list their favourite bands so we can dissect their musical tastes.
Then we are on fair ground.
No one seems to list the bands that are superior when they do the cliched Opeth sucks thing. Stand by your conviction and say who is your metal muse.


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PostPosted: Thu Sep 01, 2005 6:10 am 
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Svartalfar

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:lol:

.....so are all the essays done .....can someone review still life...id like to see the bitching and moaning for that album .... and by the way ... mikael or whatever ths singers name is, is trying to follow tools notion of experimenting with each album..... this last album is a complete hybrid of the damnation and deliverance ....and i like the album alot but i think that the bridges they made between loud and soft kinda sucks.... some of them just drop the fast beat and then continue with melodic with nothing connecting them.


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PostPosted: Thu Sep 01, 2005 2:19 pm 
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Just got mine in as well. I am bored to death (pun intended) with the super -clean laid back vocals (bordering on radio-pop) and yes holy terror is right on this one. Beyond boring! I could not go to sleep to this without turning it off. I do not like the direction they are headed in. This is not a heavy metal album to me. Dissapointed becuase I own every opeth album and the scores are steadily declining for me. This one I would give a 68 only scoring high for abilities and production.
I am going to have to stay away from all "progginess" because I find myself listening to none of the prog type metal cds i own on a regular basis :(


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PostPosted: Thu Sep 01, 2005 4:31 pm 
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blunt wrote:

Opeth have a formula. It is a cut and paste method of songwriting. No Opeth fan denies this. It is the way they manage to string these together that some of us like.
Like all great art it produces controversy. The Opeth haters only contribute to the the art of the band. That is the way.
I just want to know can the Opeth haters list their favourite bands so we can dissect their musical tastes.
Then we are on fair ground.
No one seems to list the bands that are superior when they do the cliched Opeth sucks thing. Stand by your conviction and say who is your metal muse.


Are you kidding me? Everytime I say a band sucks, I have to formulate a list of bands that are better so that we can further discuss it? You're taking this way too seriously. This is an Opeth thread.

And "The Opeth haters only contribute to the art of a band?" How much more pretentious can you get?


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PostPosted: Thu Sep 01, 2005 8:32 pm 
satanicblahster wrote:
this last album is a complete hybrid of the damnation and deliverance


No, it is not. Black Water Park is the hybrid. BWP, damnation and deliverance are almost like the early Ulver trilogy.

Ghost Reveries is more like Still Life + Damnation.


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PostPosted: Thu Sep 01, 2005 9:29 pm 
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Quote:
Ghost Reveries is more like Still Life + Damnation.


I can only hope I agree with you after I listen to this one. Those are two great albums to merge.


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 Post subject:
PostPosted: Thu Sep 01, 2005 9:38 pm 
Brahm_K wrote:
Why is it that Opeth topics always lead to 7 pages filled with 1000 word essays?


because Opeth is the best metal band out there... DUH!


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